About

The making of Rasharasha:

In 2016, Jeannine Cook, the surviving member of the book’s protagonists, invited historian and author Emma Ellis to join her in exploring the voluminous archives and symbolic items of precious nostalgic interest left by the family, so as to weave their fascinating 20th-century-long story into a coherent, reflective tale for both historians and the general public. Jeannine and Emma have worked side by side in the Mallorca library of Jeannine’s grandparents, Frank and Honor Anderson, in a home that was their last residence and place of refuge for the whole family after leaving East Africa.

The book’s creators:

Jeannine Cook

Tanzanian by birth, European by heritage, British-American by nationality, Jeannine Cook is one of a small number of artists worldwide who specialize in metalpoint drawing, a shimmering medium dating from nearly 2000 years ago that uses silver, gold or other styli to make marks. Jeannine now lives on Mallorca and has gained recognition for her art and unique style in Australia, Japan, the United States and Europe, with her work widely exhibited and held in many public and private collections.

To read more about her passion and see a film about how the farm,“Rasharasha”, and her East African childhood influenced her art, please visit her website. Whatever it is, the way you tell your story online can make all the difference.

Emma Ellis

Emma Ellis completed a bachelors degree in politics in 1992 and then travelled widely by sea before undertaking a masters degree in maritime history in 2001. She is a co-author of the work of historical non-fiction: Resolution - Two Brothers, a Nation in Crisis, a World at War, (Head of Zeus, 2017).

During the course of research for this book, Emma has read literally thousands of family letters and other documents which she has used to piece together the story, combining them with Jeannine’s memories. She has also travelled to East Africa to find “Rasharasha”.

Emma and Jeannine chose to create Flowers in the Wilderness using the vision of Patricia, Jeannine’s mother:

“The book, Wild Swans, has given me an idea. Jung Chang wrote of three generations of women passing through a traumatic age in one country. Would you ever consider writing of the varied lives of three women in the 20th century in what basically could comprise Australia, Asia, Africa, Europe and finally America? Give it some thought, it might be fun to try as you have the long view looking back. With the experience you have gained, I think you could embark on something of your own, and time is on your side. It would take you several years, quite a bit of research and be utterly absorbing. Think about it.”

Patricia to Jeannine, 1993

 About

The making of Flowers in the Wilderness and the story of “Rasharasha”:

In 2016, Jeannine Cook, the surviving member of the book’s protagonists, invited historian and author Emma Ellis to join her in exploring the voluminous archives and symbolic items of precious nostalgic interest left by the family, so as to weave their fascinating 20th-century-long story into a coherent, reflective tale for both historians and the general public. Jeannine and Emma have worked side by side in the Mallorca library of Jeannine’s grandparents, Frank and Honor Anderson, in a home that was their last residence and place of refuge for the whole family after leaving East Africa.

The book’s creators:

Tanzanian by birth, European by heritage, British-American by nationality, Jeannine Cook is one of a small number of artists worldwide who specialize in metalpoint drawing, a shimmering medium dating from nearly 2000 years ago that uses silver, gold or other styli to make marks. Jeannine now lives on Mallorca and has gained recognition for her art and unique style in Australia, Japan, the United States and Europe, with her work widely exhibited and held in many public and private collections.

To read more about her passion and see a film about how the farm,“Rasharasha”, and her East African childhood influenced her art, please visit her website: www.jeanninecook.com

Emma Ellis completed a bachelors degree in politics in 1992 and then travelled widely by sea before undertaking a masters degree in maritime history in 2001. She is a co-author of the work of historical non-fiction: ‘Resolution - Two Brothers, a Nation in Crisis, a World at War’, (Head of Zeus, 2017).

During the course of research for this book, Emma has read literally thousands of family letters and other documents which she has used to piece together the story, combining them with Jeannine’s memories. She has also travelled to East Africa to find “Rasharasha”.

Emma and Jeannine chose to create Flowers in the Wilderness using the vision of Patricia, Jeannine’s mother:

“The book, Wild Swans, has given me an idea. Jung Chang wrote of three generations of women passing through a traumatic age in one country. Would you ever consider writing of the varied lives of three women in the 20th century in what basically could comprise Australia, Asia, Africa, Europe and finally America? Give it some thought, it might be fun to try as you have the long view looking back. With the experience you have gained, I think you could embark on something of your own, and time is on your side. It would take you several years, quite a bit of research and be utterly absorbing. Think about it.”

Patricia to Jeannine, 1993